Before the Revolution of 1979, the prominent and money-making part of Iranian cinema included films produced under the influence of Bollywood Romantic Movies. These films were the story of poor people who overcame all their misfortunes with the power of love. In addition to the happy ending of the story of the poor lovers, The main reason for the high sales of these films was the scenes of women dancing and singing and revealing their open relationships with men. Iranian society, which still had traditional and religious origins, considered these films to be the cause of the destruction of its long-standing values ​​and did not accept them as appropriate for the family to watch. So most of the audience of these films were men. These films immersed them in their heroic and sensual fantasies and made them forget their misfortunes for a few hours. Still, these women were considered the cause of society's corruption outside the cinema. The intellectuals of the society also did not have a favorable opinion of these films. They considered these films to have no artistic value. They expressed regret for the audience of these films and their desire to see women. Dr. Houshang Kavousi, one of the founders of film criticism in Iran, coined the term "Film Farsi" for these films, which is still used and is synonymous with vulgar film.